Pose Library
58 poses · Sanskrit names · benefits · modifications
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Standing Poses
Upright postures that build strength, stability, and balance.
Chair Pose
Utkatasana
Chair Pose is humbling. It looks like a simple squat with the arms raised, and in a flow sequence it goes by quickly. Held for five to eight breaths, it reveals exactly where your thighs are relative to where they need to be. Stand with feet hip-width apart or together. Inhale, lift the arms overhead. Exhale, sit back and down as if lowering toward an invisible chair behind you. The weight goes into the heels. The knees stay behind the toes. The torso leans slightly forward to counterbalance. The arms ideally reach alongside the ears. If the shoulders are tight or the lower back arches when the arms go fully overhead, keep a slight bend at the elbows or lower the arms to shoulder height. The depth of the squat depends on your strength and hip flexion range. Thighs parallel to the floor is the full expression. Getting halfway there and holding it is more honest and more useful than collapsing lower than you can control. Heels stay on the floor. If they rise, either the ankles are tight or the body is shifting forward. Focus the weight back. Chair Pose shows up in standing sequences, as a transition into forward folds and twists, and as a strength builder in its own right. People who do it consistently develop noticeably stronger thighs and a more stable pelvis.
Eagle Arms
Garudasana Arms
Eagle Arms is a shoulder and upper back stretch that targets the posterior shoulder and the muscles between the shoulder blades in a way that nothing else in the beginner repertoire quite replicates. It's accessible from sitting, standing, or even in a chair, which makes it one of the most practical stretches for desk workers. Cross the right arm under the left at the elbows. Wrap the forearms and bring the palms together if they reach, or press the backs of the hands together. Lift the elbows to shoulder height and draw them slightly forward, away from the face. What you're feeling in the upper back is the rhomboids and the rear deltoid being stretched. These muscles are almost universally tight in people who work at desks or use phones extensively, because their daily movement pattern involves the arms moving forward and inward, which shortens the front of the shoulder and lengthens the back. Lifting the elbows to shoulder height is important. Below shoulder height the stretch reduces significantly. At shoulder height the posterior shoulder capsule is placed on a genuine stretch. The forearms tend to want to drop. Resist that by actively lifting them throughout the hold. Five to eight breaths per side, then switch which arm is on top. The two sides will usually feel different, reflecting the asymmetry of how the dominant and non-dominant arms are used. Eagle Arms can be combined with a forward fold: maintaining the arm position, hinge forward at the hips. This adds a thoracic stretch to the shoulder work.
Garland Pose
Malasana
Garland Pose, a deep squat, is one of the most underrated poses in yoga and one of the most functional. In much of the world, deep squatting is a normal resting position. In Western cultures where chairs dominate, most adults lose the ability to squat comfortably with heels on the floor by their thirties, and regaining it requires consistent work. Feet wider than hip-width, toes turned out to about 45 degrees. Lower into a deep squat, letting the heels come to the floor if they will. If the heels lift, place a rolled blanket or mat under them to support the position. Bring the hands to prayer at the chest and press the elbows gently into the inner knees. This creates a mutual pressure: the elbows open the knees, the knees create resistance for the elbows. The result is a deepening of the hip opening and a more upright torso. The spine stays as long as possible. The common error is rounding heavily into the low back. If you find yourself collapsing backward, elevate the heels higher until you can maintain a more neutral spine. Garland Pose works the hip flexors, external hip rotators, and adductors simultaneously, which is why it's so effective. It also opens the ankles. People who practice it consistently find that squatting becomes easier over time, which has real carry-over to daily movement: picking things up off the floor, sitting on low surfaces, getting in and out of vehicles.
Half Lift
Ardha Uttanasana
Half Lift sits in nearly every sun salutation, usually as a transitional pose between Forward Fold and a step back. It moves quickly in a flowing practice, which means most people never actually feel what it's doing. Done well, Half Lift is a spinal extension exercise. You're working against gravity to bring the thoracic spine into a neutral or slightly extended position while the hamstrings are loaded. That combination is uncommon in daily movement, which is why it matters. From a forward fold, press your fingertips or palms into the mat or your shins, and lift your chest forward and up until the spine is roughly parallel to the floor. The back body engages, the shoulders draw back slightly, the crown of the head extends forward rather than drooping down. The key distinction: the lift comes from the back, not from pushing into the hands. Imagine someone placed a hand on your mid-back and gently pressed upward. That's the sensation to work toward. Gaze is forward or slightly down. Looking up strains the neck. The belly draws in lightly to protect the lower back from over-arching. For people with tight hamstrings, hands can be on the shins or on blocks. For people with more length, fingertips touch the floor. The spine position matters more than where the hands land.
High Lunge
High Lunge is a demanding pose that hides its difficulty well. It looks straightforward, a long step forward with the back heel lifted and arms raised overhead. What it actually requires is simultaneous hip flexor opening, glute and quad strength, balance, and the ability to keep the torso vertical while the lower body is working hard. Step your right foot forward between your hands, back heel lifted, back leg straight and strong. The front knee tracks directly over the ankle, not caving inward. Lift your arms alongside your ears, shoulders relaxed away from the jaw. Most people immediately feel the work in the front quad and the stretch in the back hip flexor. That's correct. The back leg should feel active, pressing the heel back and up rather than collapsing into the floor. The torso tends to lean forward under the effort. Resist that by drawing the lower belly in and lifting the chest, as if there's a wall in front of you that you can't fall into. High Lunge builds the same strength as Warrior I but requires more stability because the back foot is not anchored flat. People who find Warrior I easy will find High Lunge more demanding. People learning Warrior I can use High Lunge as a preparation for it. It's also excellent for runners. The combination of hip flexor stretch and glute loading in a lengthened position is exactly what running repeatedly shortens.
Lizard Pose
Utthan Pristhasana
Lizard Pose is a deeper version of Low Lunge that adds hip external rotation on top of the hip flexor stretch, making it one of the more comprehensive hip openers in the practice. It's also a pose where most beginners feel a lot happening at once. From a low lunge with the right foot forward, walk the right foot to the outer edge of the mat so the right hand is inside the right foot. Bring both hands to the floor or to blocks. Lower the left knee if it isn't already down. Ease the hips forward and down. What you're opening: the right hip flexor, the right outer hip, the right inner groin, and to some degree the left hip flexor. The combination of hip flexion, external rotation, and abduction all happening simultaneously is why this pose feels intense even for experienced practitioners. Blocks under the hands are useful when the position feels unstable or when the chest collapses toward the floor. The higher the hands, the more accessible the pose. From here, additional variations are available: lower the back knee, lower the right forearm to the floor inside the right foot for a deeper opening, or tuck the back toes for a more active back leg. Lizard is particularly useful for runners, cyclists, and anyone who sits for hours. The hip complex tightness those activities create responds directly to this pose.
Low Lunge
Anjaneyasana
Low Lunge is the hip flexor stretch. If you sit for most of your day, or if you run, or if you have chronic lower back ache, this pose addresses the underlying tightness that drives all three problems. From hands and knees or a high lunge, lower the back knee to the mat and sink the hips forward and down. The front knee should be stacked directly over the ankle. The back toes can be tucked or untucked. Arms can lift overhead to deepen the stretch, or hands can frame the front foot for more stability. What you're stretching is the psoas and iliacus, the hip flexors that connect the lumbar spine and pelvis to the upper leg. When these muscles are chronically shortened from sitting, they pull the pelvis forward and compress the lower back. Low Lunge is a direct and effective antidote. The depth of the stretch increases the longer you stay. Three breaths barely touches it. Eight to ten breaths, with a deliberate sinking of the hips on each exhale, begins to create genuine change. Go daily and the difference in how your lower back feels in the morning will be noticeable within two weeks. A common error is letting the front knee drift inward or forward past the toes. Both reduce the hip flexor stretch and add stress to the knee. Keep the front shin vertical.
Mountain Pose
Tadasana
Most people walk past Mountain Pose as if it's just standing. It isn't. Tadasana is one of the most instructive poses in the practice because it asks you to do something most people have never done: stand with deliberate attention to how the whole body is organized. Feet hip-width apart or together, weight spread evenly across all four corners of each foot. Thighs gently engaged but not gripping. Pelvis neutral, not tucked or tipped forward. Spine long, shoulders relaxed away from the ears, the crown of the head lifting toward the ceiling. Arms rest at the sides with the palms facing gently forward. This small detail opens the chest and externally rotates the upper arms, countering the internal rotation that builds up from hours at a screen. The most common error is a forward head. The chin juts out, the back of the neck shortens. In Mountain Pose you can feel this pattern and begin to undo it: chin slightly in, back of the neck long. It looks like nothing. Held with attention for ten breaths, it shows you more about your posture and habitual holding patterns than most movement assessments. Every standing yoga pose begins here. Coming back to it between poses is a practice in itself.
Reverse Warrior
Viparita Virabhadrasana
Reverse Warrior tends to show up in flowing sequences right after Warrior II, and it's often treated as a quick transition rather than a pose in its own right. Taken seriously, it's a genuine side body opener that targets the intercostals, the lateral hip, and the space between the ribs that most people never consciously access. From Warrior II with the right knee bent and the right arm reaching forward, flip the right palm to face up and arc the right arm overhead toward the back of the mat. The left hand slides down the left leg toward the ankle. The gaze can follow the right hand up. Keep the front knee bent at the same depth. There's a tendency to straighten the front knee as the arm goes overhead. Resist that. The legs stay in their Warrior II position. The side stretch happens on the right side, the same side as the bent knee. Feel the space between the ribs opening as you breathe. Let the inhale lift you slightly longer through the right side body. The back hand slides down the left leg for support but shouldn't take weight. The work is in the legs and the opening of the right side. Reverse Warrior is also a useful pose for people who feel closed and tight through the ribcage, which is common in people who sit hunched forward for most of their day.
Side Angle Pose
Utthita Parsvakonasana
Side Angle Pose is a close relative of Triangle Pose but asks more of the legs and offers a deeper opening through the side body. The front knee is bent, which means the legs are working harder, and the upper body angle is more horizontal, which creates a longer lateral stretch from the foot to the fingertips. From Warrior II with the right knee bent, lower the right forearm to the right thigh, or bring the right hand to the floor or a block inside the right foot. The left arm extends over the head alongside the left ear, palm facing down. The shape you're creating is one long diagonal line from the left heel to the left fingertips. Everything on that line is reaching in opposite directions. The result is a full lateral body stretch: inner thigh, ribcage, shoulder, even the space between the fingers. The forearm-on-thigh variation is useful when you're working on opening the side body without the balance challenge of reaching further. As the side body opens and the front hip drops lower, the hand naturally migrates inside the foot. Keep the front knee tracking over the front ankle and pressing toward the pinky-toe side of the foot. The tendency when tired is to let the knee collapse inward, which loses the hip opening and puts load on the knee. The back leg is the anchor. Press the outer edge of the back foot down and engage the back thigh upward.
Standing Forward Fold
Uttanasana
Standing Forward Fold is one of those poses that looks simple from the outside and feels completely different once you're in it. The instruction is to hinge at the hips and fold the torso forward over the legs. What happens in practice depends enormously on your hamstring length and your ability to actually hinge rather than round. The common mistake is bending forward from the waist rather than from the hip crease. When you round through the low back instead of hinging at the hip, the hamstrings don't stretch much, and the lumbar spine takes load it doesn't need. To avoid this: bend your knees generously, feel the sit bones lifting toward the ceiling, and let the chest drape forward before you try to straighten the legs. Hands can rest on the shins, on blocks, or on the floor. The head hangs heavy. The neck releases. This is one of the few moments in daily life when the head is truly below the heart, which has a measurable calming effect on the nervous system. Some people feel a strong pull behind the knees. Others feel it more in the upper hamstrings near the sit bones. Either location is normal. What to avoid is any sharp or pinching sensation, which usually means the hips need more room. A useful variation: hold opposite elbows and let the upper body sway gently side to side, releasing the lower back one side at a time.
Triangle Pose
Utthita Trikonasana
Triangle Pose is a full-body pose that looks deceptively simple. A wide stance, one hand reaching toward the floor, the other arm extending to the ceiling. What's actually happening is a complex balance of hip extension, hamstring lengthening, thoracic rotation, and full spinal extension all at once. Stand with feet about three feet apart, right foot facing forward, left foot turned in slightly. Extend both arms parallel to the floor. On an exhale, hinge sideways at the hip and reach the right hand toward the right shin or the floor. The left arm extends toward the ceiling. The key instruction most people miss: the hinge happens at the hip, not at the waist. Many people collapse sideways through the trunk rather than genuinely reaching the hip to the side. To feel the difference, engage the right side of the waist actively and reach the right hand forward before you take it down. That's the hip hinge motion. The bottom hand rests on the shin, a block, or the floor. The position of the hand matters less than the length of the spine. A hand on a block with a long spine is better than a hand on the floor with a collapsed waist. Gaze can be at the floor, forward, or up at the top hand. For people with neck issues, keep the gaze forward or down. Both legs are straight. Press the outer edge of the back foot firmly into the mat.
Warrior I
Virabhadrasana I
Warrior I is a pose most beginners underestimate and most experienced practitioners have refined for years. The basic shape is a lunge with the back foot grounded at roughly 45 degrees, hips squared toward the front, arms raised overhead. Getting all of those things right at the same time is harder than it sounds. The hip squaring is the central challenge. When you step into a lunge, the natural position of the hips is open to the side. Warrior I asks you to rotate the back hip forward until both hip points face the front of the mat. This creates a strong internal rotation in the back hip and an intense stretch in the back hip flexor. Most people compromise this rotation to make the pose feel more comfortable. The instruction to "square the hips" is doing real work. The back foot is the anchor. Press the outer edge of the back foot firmly into the mat. Lift the inner arch. This grounds the pose and helps the back hip rotate forward. Arms lift alongside the ears, shoulder blades drawn slightly together and down, so the neck stays long and the shoulders don't creep up. Gaze is forward or gently up. Front knee tracks over the front ankle, never collapsing inward. Thigh ideally parallel to the floor, though this depends on hip flexor length and hip flexion mobility. Hold for five to eight breaths per side. Feel the whole body working: legs, core, back, arms.
Warrior II
Virabhadrasana II
Warrior II is one of the most recognizable yoga poses and one of the most commonly done with poor form. The legs, the hips, the arms, and the gaze all have to work together, and most people sacrifice the legs when they get tired. Stand with your feet about four feet apart. Turn the right foot to face the front of the mat, left foot turned in about 15 degrees. Bend the right knee over the right ankle until the right thigh is as close to parallel to the floor as your strength allows. Hips face the long edge of the mat. The arms extend out to the sides, parallel to the floor. Right arm forward, left arm back, reaching energetically in both directions. Shoulders stay down away from the ears. Gaze goes over the right middle finger. The most common errors: the front knee collapsing inward, the torso leaning forward over the front leg, and the arms dropping. All three happen because the legs are tiring. To keep the front knee tracking over the ankle without collapsing, press the outer edge of the front foot down and gently externally rotate the thigh. The knee will stay in line. This pose builds significant leg and core endurance. Holding it for five full breaths is harder than it looks. Ten breaths is a genuine test. That endurance translates directly to stability in the hips, which benefits everything from walking to running to sitting at a desk all day.
Wide-Legged Forward Fold
Prasarita Padottanasana
Wide-Legged Forward Fold is a different experience for almost everyone who tries it. The wide stance changes the hamstring stretch completely, targeting the inner hamstrings and adductors that a narrow-stance forward fold barely touches. For some people with long hamstrings it feels very open. For others it reveals a tightness they didn't know they had. Stand with feet three to four feet apart, toes pointing forward or turned in slightly. On an exhale, hinge at the hips and fold the torso forward. Hands can come to the mat, to blocks, or wrap around the ankles. The crown of the head hangs toward the floor. Unlike a standing forward fold, the wide stance means the hamstrings and inner thighs share the work. The fold happens from the hips rather than the waist, so keeping a slight arch in the low back on the way in helps protect the lumbar spine. There are several hand position variations: hands on the floor shoulder-width apart, hands interlaced behind the back for a shoulder opener, or hands to the outer edges of the feet with elbows bending as the head lowers toward the floor. The longer you stay, the more you feel. Thirty-second holds release surface tension. Two minutes begins to access the deeper connective tissue. For people with hamstring tightness, this is a more accessible version of the forward fold than the narrow-legged version.
Seated & Floor Poses
Ground-based postures for flexibility, hip opening, and centering.
Boat Pose
Navasana
Boat Pose asks the core to hold the body in a V-shape while gravity is pulling the legs and torso in opposite directions. It sounds simple. It isn't. Most people feel the effort within three breaths, and by five breaths the core is working at capacity. Sit on the mat, knees bent, feet flat. Lean back slightly until you feel the core engage, then lift the feet off the floor. Shins parallel to the floor is the intermediate version. Straightening the legs into a full V is the advanced expression. Both are worth doing; the full version should wait until the torso can remain upright without collapsing. The most common error is rounding the spine to make the legs easier to lift. This transfers the work from the core to the hip flexors and takes the benefit away from where it's meant to go. Keep the chest lifting and the spine long even if it means the legs stay lower. Arms extend alongside the legs, parallel to the floor. If the shoulders are very tight, hands can rest behind the thighs. Hold for five breaths, release, and repeat two to three times rather than grinding out a single long hold with poor form. The repetition with recovery is more effective than one extended struggle. Over time, Boat Pose builds the deep core stability that protects the lower back in all movements, not just in yoga.
Bound Angle Pose
Baddha Konasana
Bound Angle Pose is one of those poses where the instruction sounds simple and the reality is quite varied. Sit with the soles of the feet together, knees falling open to the sides. Some people's knees are six inches from the floor. Others are at the level of the hips or higher. Both are completely normal. The goal is not to push the knees toward the floor. The goal is to sit with a neutral pelvis, feel the gentle stretch in the inner thighs and groin, and breathe. Pushing the knees down actively tends to create tension rather than release. What often needs adjusting: the pelvis. Most people tip backward at the pelvis when they sit in this position, which rounds the lower back and takes the stretch out of the inner thigh. Sitting on a folded blanket or cushion to elevate the hips corrects this. With the hips elevated, the pelvis can be neutral and the spine can be tall. For a deeper stretch, fold the torso forward over the feet. Hinge from the hips, not the waist, and let the spine stay long rather than rounding sharply. This pose works the inner thighs and adductors gently over time. It is also useful preparation for sitting in meditation and for reducing tension in the pelvic floor, which many people carry unconsciously. Held for two to three minutes, it becomes a different experience than a thirty-second version. The inner groins begin to soften in a way that feels almost like letting go.
Easy Seated Pose
Sukhasana
Easy Seated Pose is the default seated position for meditation, breathing exercises, and grounding practices in yoga. It looks straightforward: sit cross-legged with the spine tall. In practice, many adults find it difficult to sit comfortably here for more than a minute or two without the lower back rounding and the spine slumping. The rounding happens because the hip flexors and external rotators are tight enough that the pelvis tips backward when the legs are crossed. The fix is simple: sit on a folded blanket, a meditation cushion, or a yoga block. Elevating the hips changes the angle of the pelvis, allowing the spine to be tall without effort. Hands rest on the knees or in the lap. The jaw and face are relaxed. The shoulders drop away from the ears. Eyes can be closed or softly downcast. There is no one correct position for the legs. Some people have one shin in front of the other. Some people can only do this with significant hip support. None of that matters. The point is a stable base and a long spine. Easy Seated Pose is not passive. Maintaining a tall spine without gripping requires the deep postural muscles to work gently but continuously. Over months of regular sitting, those muscles become stronger and sitting upright becomes genuinely easier, rather than something that has to be maintained by effort.
Easy Seated Twist
Easy Seated Twist is a gentle spinal rotation that works with the natural movement of the vertebrae rather than forcing range. It's done slowly, ideally linked to the breath, and the depth of the twist increases gradually over the course of several breaths rather than all at once. From Easy Seated Pose, place the right hand on the left knee and the left hand behind you on the floor or on a block. On each inhale, lengthen the spine upward. On each exhale, rotate a little further to the left. The gaze follows the rotation, eventually looking over the left shoulder. The spine needs to be long before it twists. Trying to rotate from a slumped position compresses the discs and reduces the range available. Sit tall first, then turn. The distinction is noticeable once you feel it. The rotation happens from the lower back upward: the lumbar region rotates a little, the thoracic region more, the cervical region most. This is the natural progression of spinal rotation. Don't try to turn the lower back aggressively; let it participate gently while the upper back leads. Hold for five to eight breaths per side. As the pose develops, the rotation deepens without forcing. This is the nervous system learning that the range is safe. Spinal twists are often described as wringing out the spine. More accurately, they restore rotational mobility that daily forward-facing movement doesn't develop on its own.
Half Split
Ardha Hanumanasana
Half Split is a transition pose that most people move through quickly in a flow sequence, without realizing how much useful work it can do when held. It's a hamstring stretch that also trains the hip hinge pattern, which is one of the most important functional movements in daily life. From Low Lunge with the right foot forward, shift the hips back over the left knee and begin to straighten the right leg. Flex the right foot, toes pointing toward the ceiling. Fold the torso forward over the right leg, hands on the floor or on blocks. The hip hinge is the key. The torso should fold from the hip crease rather than rounding through the spine. To feel the difference: keep a slight arch in the low back as you fold. If the low back rounds immediately, use blocks under the hands to bring the floor up, which gives the hip room to hinge rather than forcing the spine to compensate. This pose directly prepares you for any movement that requires bending over: picking things up, putting on shoes, lifting from the floor. The hamstring flexibility built here translates immediately to daily function. Hold for eight to ten breaths per side, at a depth where you feel a genuine stretch but not pain. The depth will increase over weeks of consistent practice. On each exhale, feel the sit bone of the straight leg draw back slightly, which deepens the stretch without pushing.
Head-to-Knee Forward Fold
Janu Sirsasana
Head-to-Knee Forward Fold takes the seated forward fold and works one leg at a time, which changes the stretch meaningfully. The bent leg opens one hip and allows the pelvis to rotate slightly toward the extended leg, which can make it easier to hinge forward than in a symmetrical fold. Sit with both legs extended. Bend the right knee and bring the right foot to the inner left thigh, letting the right knee fall out to the side. On an inhale, sit tall. On an exhale, rotate slightly toward the left leg and fold the torso forward over it. Hands rest on the shin, ankle, or foot. The rotation toward the straight leg is important. Without it, the fold goes toward the center rather than along the line of the extended leg, and the hamstring stretch is reduced. This is also a useful pose for identifying asymmetry. Most people find that one side folds more easily than the other. The tighter side is worth spending extra time on. The bent knee hip should rest comfortably close to the floor. If it's elevated significantly, the outer hip rotators are tight. A folded blanket under the knee provides support. The pose is named for the classic aspiration of touching the forehead to the knee. Very few beginners get there, and it doesn't matter. What matters is the lengthening of the back of the extended leg and the calming quality of the fold itself.
Neck Rolls
Neck Rolls are one of the simplest mobility practices available, and one of the most immediately effective for releasing the tension that accumulates from screen time, driving, stress, and simply carrying the head forward of the spine all day. Sit or stand comfortably. Drop the right ear toward the right shoulder without lifting the shoulder to meet it. Feel the stretch along the left side of the neck. Hold for three to five breaths. Slowly roll the chin toward the chest and continue the arc toward the left shoulder. Feel the right side of the neck open. Hold for three to five breaths on the left. Move slowly through the arc between the two side positions, pausing wherever you feel resistance or tightness and breathing into it. The slowness is important: moving quickly through neck rolls produces heat and doesn't create the release that slow, attentive movement does. Stay in the front of the arc, from ear to ear through the chin. Avoid rolling the head back through a full circle, which compresses the cervical spine. The upper trapezius and scalene muscles, the most commonly tight muscles in the neck, both respond to this gentle movement. What often surprises people is how different the two sides feel. Most people hold their phone on one side, drive with their head turned slightly, and carry bags on one shoulder. The neck reflects all of it. Three to five minutes of slow neck rolls at the end of a workday consistently reduces the tension headaches that accumulate through the week.
Seated Forward Fold
Paschimottanasana
Seated Forward Fold is a pose most people approach by thinking about how far forward they can go. That's not the right frame. The question is whether the fold is coming from the hip joint or from the spine, because only one of those actually stretches the hamstrings. Sit with legs extended in front of you. On an inhale, sit tall, spine long, feeling the sit bones grounded. On an exhale, hinge forward from the hips as if you're tipping the pelvis forward over the thighs. Let the chest lead rather than the forehead. Hands rest wherever they reach: shins, ankles, or feet. If the lower back immediately rounds and the pelvis tucks, the hamstrings are limiting the hip hinge. This is very common. The modification: bend the knees enough to allow a slight anterior tilt of the pelvis. From there, fold forward with a flat back. Over time, as the hamstrings lengthen, you can begin to straighten the legs gradually while maintaining the hip hinge. This is one of the most calming poses in the practice. Forward folds have a settiling effect on the nervous system, particularly when they're held for longer than thirty seconds. The head below the heart, the reduced sensory input, and the compression through the front body all signal safety. Stay for five to ten breaths at minimum. Longer holds, two to five minutes, are where significant changes in hamstring length begin to happen.
Seated Side Bend
Seated Side Bend is easy to overlook because it's simple and quiet. It doesn't build much strength and doesn't offer dramatic flexibility challenge. What it does is open the side body, the intercostals, the lats, and the space between the ribs, in a way that very few other poses do. Sit cross-legged or in any comfortable seated position. Ground the right hand beside the right hip with fingertips on the floor. On an inhale, lift the left arm overhead and arc it toward the right. Let the left ribs open as the arm reaches. The right shoulder stays relaxed and doesn't collapse toward the floor. The stretch is felt through the entire left side from hip to fingertip. Breathe into it. The inhale creates length. The exhale lets the side body soften a little further. Stay for five to eight breaths, then switch sides. This pose is particularly useful for people who spend hours sitting at desks, driving, or using phones. All of those activities compress the side body slightly over time. Side Bend reverses that compression and creates space for deeper breathing. It also doubles as a mild shoulder stretch on the raised arm side. If the shoulder is tight, the arm will feel effortful to maintain overhead. That effort is worth sustaining rather than releasing, because the opening comes from staying.
Shoulder Rolls
Shoulder Rolls mobilize the shoulder joint and the muscles around the upper back in a movement pattern that doesn't appear in most people's daily movement at all. The shoulder joint is capable of a full circular motion, but most people only use it in forward-facing ranges: reaching forward, lifting in front of the body, typing. Sit or stand comfortably. Lift both shoulders up toward the ears on the inhale. Roll them back on the exhale, drawing the shoulder blades together. Then down, away from the ears. Then forward. Complete the circle. Do five to eight rolls in this direction, then reverse. The backward direction is more useful than forward for most people, because most people's shoulders are already rolled forward from their posture. Rolling backward repeatedly while the forward direction gets its share in daily movement creates a rebalancing effect over time. Move slowly enough that you can feel the shoulder blade moving across the back. Many people have stiff shoulder blades that don't move smoothly through a full roll. The sensation of catching or grinding is common and generally harmless; it's the joint working through a range it rarely visits. Notice whether one shoulder feels more restricted than the other. This is almost universal. The dominant arm shoulder typically has more range in some directions and less in others due to the specific demands placed on it. Shoulder Rolls are useful before any yoga practice, before overhead work, and after long periods of sitting. They take two minutes and reliably change how the upper back feels.
Supine Poses
Lying-on-the-back postures for core, hip release, and restoration.
Bridge Pose
Setu Bandha Sarvangasana
Bridge Pose is one of the most accessible and most effective poses in the beginner repertoire. It strengthens the glutes, hamstrings, and lower back in a position that most people never use in daily movement, which is part of why the results are so noticeable. Lie on your back, knees bent, feet flat on the mat hip-width apart. The feet are close enough to the hips that the fingertips can brush the heels when the arms are extended alongside the body. Press into the feet and lift the hips toward the ceiling. The glutes should be the primary driver of the lift. Squeeze them at the top. This distinction matters because many people lift from the lower back instead, which reduces the glute work and can cause lumbar compression. The pose can be held statically for five to eight breaths or done dynamically: lift on the inhale, lower on the exhale, for eight to ten repetitions. Both variations are useful. The dynamic version builds endurance. The static hold develops sustained activation. Interlacing the hands beneath the pelvis and pressing the arms into the mat creates a natural chest opener and helps stabilize the position. Bridge Pose is also a hip flexor stretch. When the hips are lifted, the hip flexors on the front of the thigh are lengthened. For people who sit all day, this reversal of the sitting position feels immediately good. Three sets of ten bridges, done most mornings, will change how your lower back feels within a month.
Happy Baby
Ananda Balasana
Happy Baby is a decompression pose that most adults approach with more self-consciousness than it deserves. The name describes it accurately: you're lying on your back holding your feet while your knees open wide, which is exactly what babies do when they're content on the floor. Lie on your back and bring your knees toward your armpits. Reach up and grab the outer edges of your feet, or your ankles, or behind your knees if that's what's accessible. Open the knees wide, letting them drop toward the armpits. Gently pull the feet down. The lower back presses into the mat. This is the lumbar decompression that makes the pose so satisfying after standing, running, or sitting for long periods. Feel the sacrum and lower back heavy on the floor. Rock gently side to side if it feels good. This motion massages the lower back against the floor and works any residual tension out of the sacroiliac joints. Happy Baby also opens the inner groin and hip flexors. The outer hip of each leg gets a gentle stretch from the external rotation. It's doing several things at once without feeling effortful. Common modification: if the hands don't comfortably reach the feet, use a strap or belt around each foot, or simply hold behind the knees instead. This is a good finishing pose before Savasana. It releases the hips and lower back from whatever the practice has built up, and the supine position is already close to final rest.
Reclined Bound Angle
Supta Baddha Konasana
Reclined Bound Angle is a restorative pose that looks completely passive and is, in fact, completely passive. The goal is to let the body open through surrender and weight rather than through effort. Lie on your back and bring the soles of the feet together, letting the knees fall out to the sides. The hands rest on the belly or alongside the body with palms facing up. If the inner thighs are tight and the knees are elevated significantly, support them with folded blankets or blocks so the muscles can release rather than holding the position. This is a groin and inner thigh opener, but in restorative practice it works slowly, over several minutes, rather than through active pressure. The nervous system needs to stop protecting the area before the tissue will soften. This takes time, and it's why two or three minutes in this pose produces more opening than thirty seconds. Breathe into the lower belly. Feel the belly rise on the inhale and fall on the exhale. This diaphragmatic breathing pattern reinforces the parasympathetic response the pose is trying to create. Reclined Bound Angle is particularly useful before sleep, as a recovery pose after intense practice, and for anyone carrying tension in the pelvic floor, which is more common than people realize and can contribute to lower back and hip pain. A bolster under the spine, lengthwise from tailbone to head, turns this into a chest-opening restorative variation that addresses both the groin and the front body simultaneously.
Supine Leg Lifts
Supine Leg Lifts are a core exercise that most people do incorrectly, which is why they either feel nothing in the core or immediately feel pain in the lower back. The key is the position of the lumbar spine throughout the movement. Lie on your back. Before lifting anything, press the lower back lightly into the mat. This is the position to maintain. If the lower back arches away from the mat, the core has been lost and the hip flexors are doing all the work. Keeping the lower back contact with the mat, lift one leg to 90 degrees. Lower it slowly and with control. Switch sides. As the core strengthens, both legs can lift together and lower together. The tempo matters. Lowering slowly is more demanding than lowering quickly. The core has to work to control the descent rather than just dropping the legs. How far the legs lower before the lower back loses contact with the mat is a direct measure of core strength. Beginners may only lower to 60 or 70 degrees. Over weeks of practice, the legs can lower closer to the floor while the lower back maintains contact. This pose is foundational for people with lower back pain. A core that can hold the lumbar spine stable during leg movement is significantly better at protecting the lower back during daily activities than one that only gets trained with forward-facing ab exercises.
Supine Twist
Supine Twist is the pose most people want at the end of a long day and the one they're least likely to skip. Lying down takes the effort out of it, the spine gets to release without supporting any weight, and the rotation happens through gravity rather than muscular effort. Lie on your back. Hug both knees to the chest. Extend the arms out to the sides at shoulder height. Let both knees fall to the right, stacking them on top of each other. The left shoulder stays on or near the floor. Gaze can go to the left. The rotation releases the lower back, the outer hip of the top leg, and the IT band. Most people feel it primarily in the lower back and the hip of the upper leg. If the knees are far from the floor, place a folded blanket under them so the body can relax completely. The key to getting the most from this pose: breathe into the left side of the chest. The exhale helps the left shoulder release toward the floor and deepens the rotation gently with each breath. Hold for eight to ten breaths per side at minimum. For tighter bodies or after a long run, two to three minutes per side is not too much. This is also a useful pose for SI joint tension, the area where the sacrum meets the pelvis. The rotation creates movement through the joint that daily upright movement doesn't access.
Prone & All-Fours Poses
Belly-down and hands-and-knees postures for back strength and spinal mobility.
Bird Dog
Bird Dog is the anti-rotation core exercise that deserves far more attention than it typically gets. It looks simple. Extend one arm and the opposite leg from hands and knees. What makes it valuable is the demand to keep the pelvis perfectly level while the limbs move asymmetrically, which is the same demand the core faces in walking, running, and most athletic movements. Come to hands and knees, wrists under shoulders, knees under hips. Extend the right arm forward alongside the ear while extending the left leg back at hip height. Hold for three to five breaths with the pelvis level and the spine neutral. Return to the start and switch sides. The pelvis is the focus. It wants to rotate to accommodate the lifting leg and to tilt to the side as the arm lifts. The job of the core is to prevent both of those compensations. If the pelvis is rotating or tilting, reduce the range of motion until you can maintain level hips. The extended arm and leg don't need to be completely parallel to the floor. They need to be at whatever height allows the pelvis to stay neutral and the lower back to not arch. This pose directly activates the multifidus, the deep stabilizer along the spine that protects individual vertebrae. It's the exercise most commonly prescribed in physical therapy for lower back pain because the evidence for its effectiveness at building spinal stability is strong.
Camel Pose
Ustrasana
Camel Pose is a deep backbend that asks the whole front body to open: hip flexors, abdomen, chest, throat, and the front of the shoulders. It can feel intense, and the intensity is a sign that it's working on the pattern most modern bodies need addressed most: the chronic forward closure that comes from sitting, driving, and looking at screens. Kneel with hips directly over knees, shins on the mat. Place the hands on the lower back with fingers pointing down for support. On an inhale, lift the chest and begin to arc backward. The chin can stay tucked to protect the neck or let the head fall back gently. From here, if the backbend feels stable and the hip flexors have enough length, reach back for the heels. The hands on the heels stabilize the position. The hips must stay stacked over the knees throughout. The tendency is to let the hips shift back as the chest lifts forward, which reduces the backbend and dumps weight into the lower back. Keep pressing the hips forward over the knees. The lower back should feel length rather than compression. If there's a pinching or sharp sensation in the lumbar spine, the backbend is concentrated too much in one area. Back off, use the hands-on-lower-back variation, and focus on opening the chest and hip flexors rather than going deeper. Child's Pose after Camel is not optional. Come directly into it.
Cat-Cow
Marjaryasana-Bitilasana
Cat-Cow is one of the most effective and most neglected poses in the practice. It takes two minutes, requires no warm-up, can be done anywhere there's a mat-sized piece of floor, and produces an immediate change in how the spine feels. Most people skip it because it seems too simple. Come to hands and knees, wrists under shoulders, knees under hips. On the inhale, drop the belly toward the floor, lift the chest and the sit bones, and let the lower back arch. This is Cow. On the exhale, press the floor away, round the entire spine from tailbone to crown, and let the head drop. This is Cat. Move between them slowly, one breath per movement. The goal is not big dramatic movement. The goal is feeling each vertebra participate. Start at the tailbone and let the wave of motion travel upward through the lumbar spine, the thoracic spine, the cervical spine, all the way to the crown of the head. Then reverse it from the crown back down. This spinal articulation keeps the discs hydrated, the facet joints mobile, and the muscles around the spine elastic. It's the closest thing yoga has to a prescription for spinal health. Do it in the morning before you get off the floor. Do it between longer holds. Do it when your lower back is stiff from sitting or from a long drive. The five minutes you spend here will consistently change how the rest of your day feels.
Cobra Pose
Bhujangasana
Cobra Pose is a backbend that works from the floor up. The chest lifts, the spine extends, and the back body muscles are doing the work rather than the arms. This distinction between using arm strength to push up versus using back strength to lift is what separates Cobra from other backbends and makes it so useful for people with weak back extensors. Lie face down, legs extended. Place the hands under the shoulders with elbows tucked close to the ribs. On an inhale, press the tops of the feet and the pelvis into the mat and lift the chest forward and up. The elbows stay slightly bent. The shoulders draw back and down away from the ears. The height of the lift depends on the strength and flexibility of the back. A two-inch lift with the back muscles working is more beneficial than a six-inch lift with straight arms pressing the chest up. To test which you're doing: lift your hands off the mat slightly while in the pose. If you can maintain the height, the back muscles are doing the work. If you collapse immediately, the arms were carrying it. The lower back should not crunch or compress. The lift spreads across the entire spine, not just the lumbar region. Cobra is the counter to prolonged sitting, slouching, and any forward-rounded position. Done consistently, it builds the back extensor strength that allows the spine to be upright and supported without effort.
Dolphin Pose
Ardha Pincha Mayurasana
Dolphin Pose is Downward Facing Dog on the forearms. It has most of the same benefits: hamstring stretch, spinal decompression, shoulder strengthening. It adds more shoulder intensity because the forearm position changes the angle at the joint, and it removes the wrist load that Downward Dog creates. From hands and knees, lower the forearms to the mat with elbows under the shoulders. Forearms parallel or hands clasped. Tuck the toes and lift the hips up and back to form an inverted V on the forearms. The heels reach toward the floor without needing to touch it. The spine lengthens. The shoulder blades spread across the back without winging. Dolphin is harder than Downward Dog for most people because the shoulder strength demand is higher. The forearm position means the deltoids and upper trapezius have to work more to hold the shape. This is valuable: these muscles are often weak in people whose upper body work is mostly forward-facing. Pressing the forearms actively into the mat is the key action. This protects the shoulder joint and activates the serratus anterior, which stabilizes the shoulder blade. Dolphin is also the preparation for forearm inversions like Forearm Stand. The shoulder strength and the comfort with weight going through the shoulder joint in this angle are prerequisites for those more advanced poses.
Downward Facing Dog
Adho Mukha Svanasana
Downward Facing Dog is the pose that shows up in almost every yoga class and takes years to understand fully. The shape is simple: an inverted V with hands and feet on the mat, hips lifted high. What's actually happening in the body when the pose is done well is much more complex. Start on hands and knees, hands slightly forward of the shoulders. Tuck the toes and press the hips up and back. The heels reach toward the floor but don't need to touch. The spine lengthens. The shoulder blades spread across the back. The arms are active. The hands press firmly and evenly into the mat, particularly through the base of the index finger, which prevents the weight from rolling to the outer wrists. The arms straighten but the elbows don't lock. The most common problem: the lower back rounds as the hamstrings pull the pelvis into a posterior tilt. The fix is simple: bend the knees generously. With bent knees, the pelvis can tip forward and the spine can lengthen. From there, slowly work toward straightening the legs over time as the hamstrings allow. Heels pressing toward the floor creates length through the calves and the entire back body chain. They don't need to reach. The pressing is the work. This pose rests and challenges simultaneously. Used as a rest between active sequences, it recovers the breath. Used as a hold, it builds shoulder strength, hamstring flexibility, and spinal decompression at the same time.
Extended Puppy Pose
Uttana Shishosana
Extended Puppy Pose is a hybrid between Child's Pose and Downward Dog that targets the upper back, lats, and shoulders in a way that neither of its relatives quite matches. It's particularly good for people who carry tension through the thoracic spine and upper back, which is most people who use computers, drive, or carry things in front of them. From hands and knees, walk the hands forward while keeping the hips directly over the knees. Lower the chest toward the floor, extending through the arms and letting the forehead or chin rest on the mat. The hips stay stacked over the knees rather than sinking back as they would in Child's Pose. What you're creating is thoracic extension: the middle of the back arching gently toward the ceiling as the chest lowers to the floor. This is the opposite of the rounding that accumulates from sitting, driving, and looking at phones. The arms are active even as the chest descends. Press the palms into the mat and feel the lats engage and stretch simultaneously. The armpit area should feel a deep opening as the position develops. If the forehead doesn't reach the floor, place it on a block. The neck stays neutral rather than cranked back. This is a calming pose that also does genuine postural work. Held for five to eight breaths, it's one of the most reliably satisfying poses in the practice, particularly after a long day in a chair.
Forearm Plank
Forearm Plank removes the wrist element from Plank Pose, making it accessible for people with wrist pain or injury, and changes the shoulder angle in a way that shifts the load slightly differently across the shoulder girdle and core. From kneeling, lower the forearms to the mat with elbows directly under the shoulders. Forearms parallel to each other or hands clasped together. Extend the legs back, tuck the toes, and lift the hips to form a straight line. The same principles apply as in full Plank: lower belly lifted, body in one line, head neutral rather than drooping or craning up. The elbows pressing into the mat replaces the hand-pressing of the full plank. One important difference: in Forearm Plank there is more temptation to let the hips pike upward, creating a V rather than a plank. Watch for this. The hips should be level with or very slightly higher than the shoulders, not significantly elevated. Forearm Plank is also the entry point for Dolphin Pose. From here, the hips can lift to form an inverted V on the forearms, which is the forearm version of Downward Facing Dog. For people building up to full Plank, Forearm Plank is an excellent stepping stone. The core demand is similar but the wrist load is eliminated. Most people find they can hold the forearm version slightly longer than the full version.
Pigeon Prep
Eka Pada Rajakapotasana Prep
Pigeon Prep is the pose most people come to yoga for and the one that produces the strongest sensations of any beginner pose. The outer hip, the piriformis, and the deep external rotators are tissues that rarely get stretched in daily movement, and when they finally do, the release can feel profound. From Downward Dog or hands and knees, bring the right knee behind the right wrist and extend the left leg back. Lower the hips toward the mat. The right shin can be at any angle: parallel to the top of the mat for more intensity, angled back closer to the hips for less. The hips drop toward the floor; if the right hip doesn't reach, place a folded blanket under it. Fold the torso forward over the shin and rest on the forearms or extend the arms forward. The lower you go, the more the nervous system has to accept the position, and the more the hip releases. The sensation is often intense. It's useful to distinguish between the intensity of a deep stretch, which is safe to breathe into, and sharp or shooting pain, which is not. Many people feel their entire hip and glute gripped in sensation here. That's the piriformis and the external rotators, muscles that haven't been asked to lengthen like this before. Stay for ten to fifteen breaths per side. Longer is better. The release happens over time, not immediately.
Plank Pose
Plank Pose is the most fundamental core exercise in yoga, and like most fundamental things, it reveals a lot about where you are. Some people hold it easily for sixty seconds. Others feel the core giving out within fifteen. Neither is a character judgment. Both are useful information. From hands and knees or the top of a pushup, extend the legs back so the body forms one long straight line from crown to heels. Hands are directly under the shoulders. Arms are straight. The lower belly lifts toward the spine. The temptation when the core tires is to let the hips drop toward the floor, which transfers the load to the lower back. The other compensation is lifting the hips too high, which takes the core out of the equation entirely. The ideal position is one long plank: if you drew a line from the crown of the head to the heels, it would be straight. Pressing the floor away actively with the hands keeps the shoulder blades spread across the back rather than winging. This protects the shoulder joint and activates the serratus anterior, an important stabilizer. Start with whatever time you can maintain with good form. That might be fifteen seconds. Build toward sixty over weeks. The quality of the form matters more than the duration. One minute of correct plank builds more functional core strength than three minutes of compromised form.
Side Plank
Vasisthasana
Side Plank is the lateral core exercise. If Plank works the front of the core, Side Plank works the sides: the obliques, the quadratus lumborum, and the deep muscles running along the outer hip. Most exercise programs underwork the lateral core relative to everything else, which is why Side Plank often reveals a weakness people didn't know they had. From Plank Pose, rotate onto the outer edge of the right foot and the right hand, stacking the feet or placing the left foot in front of the right for more stability. Lift the left arm toward the ceiling. The body forms a diagonal line from head to feet, side-facing. The hips are the first thing to drop. The outer hip abductors and the obliques have to work together to keep the body lifted. When they tire, the hips sag toward the floor. This is the signal to modify or rest. Modifications: drop the bottom knee to the floor, keeping the knee and foot on the same side and extending the top leg. This significantly reduces the load and allows the exercise to be built up gradually. The gaze can go straight ahead or up at the lifted hand. Looking up challenges the balance slightly more. Side Plank directly translates to anything that requires lateral stability: carrying something on one side, stepping off a curb, running, climbing. The lateral core is doing stabilization work in most movements; we just rarely train it directly.
Thread the Needle
Thread the Needle is a thoracic rotation pose that targets the area most other poses skip. The thoracic spine, the middle back between the shoulder blades, should rotate significantly in daily movement. In most people it doesn't, because years of sitting and forward-facing activity have reduced its mobility. The neck and lower back then compensate by over-rotating, which is why neck pain and lower back pain often trace back to a stiff thoracic spine. From hands and knees, slide the right arm under the left arm along the floor, palm facing up. The right shoulder and the right temple come to rest on the mat. The left arm can press lightly into the mat to increase the rotation, or extend forward as in Extended Puppy Pose. The rotation happens through the thoracic spine. Feel the stretch between the shoulder blades on the right side. The hips stay stacked over the knees. Breathing into this position helps. On each inhale the spine lengthens. On each exhale the body releases a little further into the rotation. Five to eight breaths per side is a good starting point. People with significant thoracic stiffness, common in people who spend long hours at computers, will feel this intensely even at first. This pose is a good preparation for deeper twists and for any overhead shoulder work, because thoracic extension and rotation are prerequisites for healthy shoulder mechanics.
Upward Facing Dog
Urdhva Mukha Svanasana
Upward Facing Dog is a deeper backbend than Cobra and asks more of the arms, wrists, and back. In a Sun Salutation it appears between Chaturanga and Downward Dog. Done correctly it's a full-body engagement. Done carelessly it's a lower back cruncher. From a prone position or the bottom of a pushup, place the hands under the shoulders and straighten the arms fully while lifting the thighs off the mat. Only the tops of the feet and the hands touch the floor. The chest lifts and the spine extends. The thigh lift is what separates Upward Dog from Cobra. Keeping the thighs off the floor requires the back, glutes, and quadriceps to engage simultaneously. Most beginners find this difficult at first and let the thighs rest on the mat, which is fine. A low Cobra with thighs on the mat is a better starting point than an Upward Dog with collapsed form. The shoulders should be above the wrists or slightly behind them, not in front. If the shoulders are in front of the wrists, the pose is compressed and the wrist load increases. The neck stays long. Looking up sharply in Upward Dog cranks the cervical spine. The gaze goes slightly forward or straight ahead. This is an energizing pose. The chest opening and the full spinal extension stimulate the nervous system and counteract the accumulated fatigue of a long practice.
Balancing Poses
One-leg or arm-balance postures that sharpen focus and body awareness.
Crow Pose Prep
Bakasana Prep
Crow Pose Prep is the introduction to arm balancing, and it teaches two things simultaneously: wrist strength and the willingness to shift weight forward past what feels comfortable. Start from a low squat. Place the hands on the mat shoulder-width apart, fingers spread wide. Bend the elbows slightly, as if setting up for a pushup. Bring the knees to the outer upper arms, as high up toward the armpits as possible. From here, begin to shift the weight forward into the hands. The feet will naturally lighten. The gaze goes slightly forward and down, not straight down. Looking forward pulls the weight forward. Looking straight down keeps it in the feet. The preparation in this version is to practice the weight shift and the knee-on-arm contact without necessarily taking the feet fully off the floor. If one foot floats, that's Crow Prep doing its job. The common fear is falling forward onto the face. This rarely happens if the elbows are bent as the weight shifts. The bent elbows act as a brake. Straight arms send the weight forward too fast. The core has to engage for this to work. Without abdominal engagement the hips sag and the knees slide off the arms. Wrist preparation is important before attempting this pose. Spread the fingers, press actively through the base of each finger, and do a few cat-cow motions on the hands to warm the wrist joint before loading it.
Half Moon Pose
Ardha Chandrasana
Half Moon Pose combines single-leg balance with hip opening and full spinal extension, which makes it one of the more demanding intermediate balancing poses. It's the evolution of Triangle Pose, and most people find that practicing Triangle builds the hip strength and hamstring length that Half Moon requires. From Triangle Pose with the right hand down and the left arm raised, shift the weight onto the right foot and begin to lift the left leg. The right hand comes to the floor or to a block about twelve inches in front of and to the outside of the right foot. The left leg lifts to hip height and the hips open toward the sky. The standing leg is the foundation. Everything depends on the strength and stability of the right leg, hip, and foot. The outer hip of the standing leg works hard to keep the pelvis open and the body from collapsing forward. The gaze can be at the floor for stability or up at the left hand for more challenge. For people new to the pose, looking down and using a block for the lower hand are both useful adaptations. The lifted leg reaches back through the heel rather than pointing the toes. This engages the glute of the lifted leg and keeps the hips more level. Half Moon can be practiced against a wall initially: the back of the pelvis and the lifted leg against the wall while the hands work freely. This removes the balance challenge and allows the hip strength to be developed in a supported context.
Tree Pose
Vrksasana
Tree Pose is the first single-leg balance pose most beginners encounter, and it immediately teaches something important: balance is not about gripping. The harder you grip, the more you wobble. The more relaxed and attentive you are, the steadier you become. Stand on your right foot. Bring the left foot to rest on the inner right calf or inner right thigh, pressing the foot and leg gently into each other. Avoid placing the foot on the inner knee, which puts lateral pressure on the joint. Hands can be at the heart in prayer, extended overhead, or resting on the hips. The standing foot is the foundation. Feel all four corners of the foot in contact with the floor. Spread the toes gently. The ankle, knee, and hip of the standing leg are all working together. The gaze point is important. Pick a fixed spot at eye level and look at it steadily. Moving eyes create a moving body. A still gaze creates a still body. The lifted hip tends to open wider than the grounded hip, which shifts the pelvis. Draw the lifted hip slightly forward to level the two sides. Most people can balance in Tree Pose when they're calm and well-rested, and wobble significantly when tired or mentally busy. This responsiveness to mental state is part of what makes it a useful pose. It's a real-time mirror for the nervous system.
Warrior III
Virabhadrasana III
Warrior III is the balance pose that rewards patience. It looks athletic and sharp, but rushing into it produces a shaky, abbreviated version that misses most of the benefit. Starting slowly, with deliberate weight shift and a wall nearby, is the way in. From standing or High Lunge, shift your weight onto the front foot and begin to lift the back leg as the torso tips forward. The goal is for the torso and lifted leg to form one long diagonal line parallel to the floor. Arms can reach forward, out to the sides, or rest at the hips. The standing leg is working hard. The glute of the standing leg, the muscles of the foot, and the core all have to fire together to keep the position stable. This simultaneous demand is what makes the pose valuable. The common error is letting the lifted hip rise higher than the grounded hip, which happens when the hip external rotator takes over. Press the inner edge of the lifted foot toward the wall behind you and keep the hips level. Gaze goes slightly forward and down, which keeps the neck neutral and helps the balance. If balance is very unstable, use a wall. Place your hands on the wall in front of you and practice the leg lift without the balance demand. The strength development happens either way. The balance comes once the strength is there.
Restorative Poses
Supported, long-hold postures for deep rest and nervous-system recovery.
Child's Pose
Balasana
Child's Pose is the most reliable reset in the practice. When things get hard, when the breath shortens, when you need a moment, this is where you go. It's also where you can start a practice if you need to arrive slowly, and where you can return between challenging poses to find your breath again. Come to hands and knees. Bring the big toes together, knees either together or wide. Sink the hips back toward the heels and let the torso fold forward. Arms can extend in front of you or rest alongside the body. The forehead comes to the mat or to stacked fists if the floor feels far away. The wide-knee variation opens the groin and allows the torso to rest between the thighs. The narrow-knee version gives more lower back release. Both are useful; experiment to find which one your body needs on a given day. Child's Pose gently decompresses the lumbar spine, releases the hips and thighs, and quiets the nervous system. The forehead on the mat has a grounding, almost cooling effect. The breath into the back body fills the space between the shoulder blades and helps the upper back let go. It can be held for thirty seconds or thirty minutes. During a restorative practice it becomes a five-minute pose. As a rest between more demanding poses it serves in thirty seconds. There is no performance here. Child's Pose is just rest.
Legs Up the Wall
Viparita Karani
Legs Up the Wall is the most accessible and most consistently useful restorative pose in the practice. All it requires is a wall and a floor. The effect is immediate: the legs drain, the lower back releases, and the nervous system begins to quiet within the first minute. Sit sideways against the wall, hip touching the baseboard. Swing both legs up the wall as you lie back, scooting the hips as close to the wall as comfortable. Arms rest at the sides or on the belly. Eyes close. The position reverses the venous blood flow in the legs, which is why tired or swollen legs feel so much better afterward. The heart doesn't have to work as hard against gravity to circulate blood from the legs back up. The lower back benefits because the hamstrings, which often pull on the pelvis and create lumbar tension, are in a lengthened position without weight-bearing. The lumbar spine settles toward the floor. If the hamstrings are very tight, the legs will pull away from the wall as they try to straighten. Move the hips farther from the wall until the legs can rest comfortably. The goal is ease, not maximum hip-to-wall proximity. Stay for five to ten minutes. Set a timer so you don't spend the time wondering how long you've been here. This pose is particularly useful during perimenopause for hot flash management, after long runs for leg recovery, during high-stress periods for nervous system regulation, and before sleep for anyone who finds it hard to wind down.
Restorative Fish Pose
Restorative Fish Pose is a chest and heart opener done passively, with the body supported by a bolster or rolled blanket rather than held up by muscular effort. The front of the body, which is almost always in a closed, forward-facing position during daily life, gets a full and completely effortless opening. Place a bolster or two folded blankets on the mat lengthwise. Sit in front of the support and slowly lie back over it, positioning the support so it lands between the shoulder blades when you're lying down. The head can rest on the floor or on an additional thin support. Legs extend in front of you or soles of the feet together in a reclined bound angle. Arms open to the sides, palms facing up. The support under the thoracic spine creates extension through the mid-back, which opens the chest and front shoulders without any muscular engagement required. The pectoral muscles, front deltoids, and intercostals all release over time. The neck should feel comfortable. If there's any strain in the throat or compression in the back of the neck, add support under the head. Close the eyes. Breathe naturally. Notice the chest rising and falling with each breath, the front ribs expanding as the support encourages them to open. This pose consistently produces a sense of vulnerability as the chest opens. That openness, physical and emotional, is part of what makes restorative chest openers feel so different from active ones.
Savasana
Corpse Pose
Savasana is the hardest pose in yoga for many people. Not physically. Mentally. It asks you to lie completely still, to not be productive, to not plan, to not solve anything. For most adults, five minutes of that is genuinely challenging. Lie flat on your back with your arms slightly away from your body, palms facing up. Legs extend naturally, feet falling open. Close your eyes. That's the external form of the pose. The internal practice is releasing. Starting from the feet and working upward, consciously let each part of the body soften and release contact with the floor. The calves, the backs of the thighs, the buttocks, the lower back, the shoulder blades, the backs of the hands, the jaw, the muscles around the eyes. Most people do a version of Savasana that is mostly rest but not complete rest. The jaw still holds a little tension. The hands curl slightly. The mind plans tomorrow. This is fine. The pose still works. But noticing these small holdouts and releasing them is the actual practice. The physiological purpose is integration. After a practice that has challenged the muscles, heated the body, and asked the nervous system to adapt continuously, Savasana gives the system time to process and absorb what happened. Skipping it to get to the next thing is the equivalent of leaving the oven to cool with the door open. The baking still happened, but the finishing step is incomplete. Five minutes minimum. Ten is better.
Supported Forward Fold
Supported Forward Fold is the restorative version of Seated Forward Fold. The effort of reaching toward the feet is removed, and the torso simply rests forward onto a bolster or folded blankets that are stacked on the legs. The result is a genuinely passive release of the lower back and hamstrings, which is different from what happens when the muscles have to hold a position actively. Sit with legs extended. Stack a bolster or two or three folded blankets on the thighs, at a height that allows the torso to drape forward onto the support without straining. Fold the torso forward and rest the head on the support. Arms rest at the sides. The support height is the key variable. Too low and the body strains to reach it, which defeats the purpose. Too high and the stretch disappears. Find the height where the lower back and hamstrings feel a gentle but real opening without any effort or discomfort. The head rests completely. If there's any tension in the neck from holding the head up, add more height under the support. Breathe into the back body. Feel the inhale expand the back ribs. The exhale softens everything further. Let each exhale release a little more tension. Hold for three to five minutes. This is long enough for the nervous system to stop guarding the position and allow the deeper release that makes restorative work different from active stretching.
Breathing & Pranayama
Breathing techniques that calm the nervous system, improve focus, and deepen your yoga practice.
4-7-8 Breathing
Developed by Dr. Andrew Weil as a natural tranquiliser for the nervous system. The extended exhale (8 counts) activates the vagus nerve and signals safety to the brain. Often used to fall asleep faster or to interrupt a stress or anxiety response.
Alternate Nostril Breathing
Nadi Shodhana
One of yoga's most well-known pranayama practices. By alternating which nostril you breathe through, this technique is said to balance the left and right hemispheres of the brain and clear the energetic channels (nadis) of the body. Research shows it lowers heart rate and reduces anxiety.
Box Breathing
Sama Vritti
A structured breath with four equal parts — inhale, hold, exhale, hold — each for the same count. Used by athletes, military personnel, and meditators to quickly shift out of a stress response. The Sanskrit name means "equal fluctuation."
Diaphragmatic Breathing
Belly breathing — the most natural and foundational breathing technique. The belly rises on the inhale and falls on the exhale, allowing the diaphragm to fully expand. Most adults habitually chest-breathe; this practice resets that pattern.
Three-Part Breath
Dirga Pranayama
A complete yogic breath that fills three regions of the lungs in sequence: the belly, the ribcage, and the upper chest. It maximises lung capacity and brings immediate calm. Often used at the start of a yoga practice to arrive in the body.
Ujjayi Breath
Ujjayi Pranayama
Known as ocean breath or victorious breath, ujjayi is the breath used during active yoga flows like Vinyasa. A slight constriction at the back of the throat creates a soft, audible sound on both the inhale and exhale — like the sound of the sea. It warms the body, anchors attention, and links movement to breath.